Reading Farewell to Manzanar is like getting a crash course in 1940s Japanese-American womanhood, with an emphasis on the hyphen. You get accounts of super-traditional Japanese ways of creating femininity, and you also get accounts of super-traditional American ways of creating femininity. How these two things balance and clash in the body of a growing Japanese-American girl becomes a major focal point of the book. And let's just put it this way: neither side really wins Jeanne over.
Questions About Women and Femininity
- How are Japanese models of femininity similar to traditional models of American femininity in the book? How are they different? Are they more different than similar or vice versa?
- Does adult Jeanne favor white ideals of beauty or is she more balanced in her approach to female beauty?
- Is there a feminist in the book? If not, why? If yes, who would that feminist be and why? What might feminism mean in this book?
- How does internment affect Jeanne's understanding of herself as a female? Does it give her opportunities to expand herself as girl or does camp shut her down?
Chew on This
Try on an opinion or two, start a debate, or play the devil’s advocate.
Internment makes women in the book stronger and more resilient than men.
Japanese-American women come out of camp confused about their identity.