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Little Women Ambition Quotes

How we cite our quotes: Citations follow this format: (Chapter.Paragraph)

Quote #1

Jo's ambition was to do something very splendid. What it was, she had no idea as yet, but left it for time to tell her, and meanwhile, found her greatest affliction in the fact that she couldn't read, run, and ride as much as she liked. A quick temper, sharp tongue, and restless spirit were always getting her into scrapes, and her life was a series of ups and downs, which were both comic and pathetic. (4.29)

Later in her life, Jo will fixate on writing as her passion, but as a child she doesn't care what she does as long as it's totally awesome.

Quote #2

"My dear girls, I am ambitious for you, but not to have you make a dash in the world, marry rich men merely because they are rich, or have splendid houses, which are not homes because love is wanting." (9.142)

Marmee tries to be clear with her girls: she has ambitious hopes for them, but her ambitions aren't the same as those of other mamas who are trying to find rich husbands and fancy homes for their daughters. Her ambitions as a mother are moral and emotional, rather than worldly.

Quote #3

"We're an ambitious set, aren't we? Every one of us, but Beth, wants to be rich and famous, and gorgeous in every respect. I do wonder if any of us will ever get our wishes," said Laurie, chewing grass like a meditative calf. (13.57)

The ambitions and desires that the March girls and Laurie describe actually seem to be pulling them apart from one another. As they pursue their various desires, they will leave home, some of them traveling as far as Europe, others finding homes and relationships of their own. Intriguingly, however, Alcott suggests that Beth's lack of ambition and love for home is more praiseworthy than everyone else's restlessness.

Quote #4

I'm not ambitious for a splendid fortune, a fashionable position, or a great name for my girls. If rank and money come with love and virtue, also, I should accept them gratefully, and enjoy your good fortune, but I know, by experience, how much genuine happiness can be had in a plain little house, where the daily bread is earned, and some privations give sweetness to the few pleasures. (20.36)

Mrs. March's emphasis on hard work and domesticity, and her dislike of wealth and status, mark her as having a strongly Protestant worldview.

Quote #5

Earnest young men found the gray-headed scholar as young at heart as they; thoughtful or troubled women instinctively brought their doubts to him, sure of finding the gentlest sympathy, the wisest counsel. Sinners told their sins to the pure-hearted old man and were both rebuked and saved. Gifted men found a companion in him. Ambitious men caught glimpses of nobler ambitions than their own, and even worldlings confessed that his beliefs were beautiful and true, although 'they wouldn't pay.' (24.3)

In a way, Mr. March is even more ambitious than people who are seeking money or power. He's trying to turn his ideals into actual practice in reality. Little Women leaves these ideals largely vague, but Bronson Alcott, Louisa May Alcott's real-life father, was committed to things like communal living, raw foods, and equality of the sexes.

Quote #6

It takes people a long time to learn the difference between talent and genius, especially ambitious young men and women. Amy was learning this distinction through much tribulation, for mistaking enthusiasm for inspiration, she attempted every branch of art with youthful audacity. (26.1)

The novel suggests that being too ambitious can blind you to your own nature. Because Amy wants to be a great artist, she can't see her talents – or her limitations.

Quote #7

"Rome took all the vanity out of me, for after seeing the wonders there, I felt too insignificant to live and gave up all my foolish hopes in despair."

"Why should you, with so much energy and talent?"

"That's just why, because talent isn't genius, and no amount of energy can make it so. I want to be great, or nothing. I won't be a common-place dauber, so I don't intend to try any more." (39.49-51)

Do you agree with Amy's suggestion that, if you can't do something with perfect mastery and genuine inspiration, you shouldn't do it at all? What other benefits can people get from art or writing besides creating a magnificent object in the end?

Quote #8

"You must take my place, Jo, and be everything to Father and Mother when I'm gone. They will turn to you, don't fail them, and if it's hard to work alone, remember that I don't forget you, and that you'll be happier in doing that than writing splendid books or seeing all the world, for love is the only thing that we can carry with us when we go, and it makes the end so easy."

"I'll try, Beth." And then and there Jo renounced her old ambition, pledged herself to a new and better one, acknowledging the poverty of other desires, and feeling the blessed solace of a belief in the immortality of love. (40.16-17)

Alcott doesn't allow Jo to balance her personal ambition as a writer with her desire to serve her family. Ironically, or maybe just strangely, Alcott herself balanced a public persona with a private one all her life, and did it really well.

Quote #9

Whatever it was, it simmered to some purpose, for he grew more and more discontented with his desultory life, began to long for some real and earnest work to go at, soul and body, and finally came to the wise conclusion that everyone who loved music was not a composer. Returning from one of Mozart's grand operas, splendidly performed at the Royal Theatre, he looked over his own, played a few of the best parts, sat staring at the busts of Mendelssohn, Beethoven, and Bach, who stared benignly back again. Then suddenly he tore up his music sheets, one by one, and as the last fluttered out of his hand, he said soberly to himself . . .

"She is right! Talent isn't genius, and you can't make it so. That music has taken the vanity out of me as Rome took it out of her, and I won't be a humbug any longer. Now what shall I do?" (41.6-7)

Once Laurie realizes that he's only good, not great, at composing music, he turns his attention to a different ambition – marrying a March sister, no matter which one!

Quote #10

"Thank you, I'm afraid I don't deserve that pretty compliment. But I was going to say that while I was dawdling about abroad, I saw a good many talented young fellows making all sorts of sacrifices, and enduring real hardships, that they might realize their dreams. Splendid fellows, some of them, working like heroes, poor and friendless, but so full of courage, patience, and ambition that I was ashamed of myself, and longed to give them a right good lift. Those are people whom it's a satisfaction to help, for if they've got genius, it's an honor to be allowed to serve them, and not let it be lost or delayed for want of fuel to keep the pot boiling. If they haven't, it's a pleasure to comfort the poor souls, and keep them from despair when they find it out."

"Yes, indeed, and there's another class who can't ask, and who suffer in silence. I know something of it, for I belonged to it before you made a princess of me, as the king does the beggarmaid in the old story. Ambitious girls have a hard time, Laurie, and often have to see youth, health, and precious opportunities go by, just for want of a little help at the right minute. People have been very kind to me, and whenever I see girls struggling along, as we used to do, I want to put out my hand and help them, as I was helped." (44.37-38)

Amy and Laurie decide to do charitable work supporting budding artists, both male and female. Instead of creating art and music themselves, they will use their fortune to enable others to realize their ambitions. To them, this is a more viable project than simply giving money away to people who beg for it. Do you agree?