How we cite our quotes: (Book.Chapter.Paragraph)
Quote #1
To see Naseem weeping into a pillow. She has been weeping ever since he asked her, on their second night, to move a little. 'Move where?' she asked. 'Move how?' He became awkward and said, 'Only move, I mean, like a woman...' She shrieked in horror. 'My God, what have I married? I know you Europe-returned men. You find terrible women and then you try to make us girls be like them! Listen, Doctor Sahib, husband or no husband, I am not any... bad word woman,' (1.2.45)
We get the feeling that traditional Kashmiri culture (at least how it's portrayed in the novel) doesn't think sex is fun.
Quote #2
That's right-and once again, it's a fitting thing to mention before I launch into the tale of Nadir Khan-I am unmanned. Despite Padma's many and varied gifts and ministrations, I can't leak into her, not even when she puts her left foot on my right, winds her right leg around my waist, inclines her head up toward mine and makes cooing noises; not even when she whispers in my ear, 'So now that the writery is done, let's see if we can make your other pencil work!'; despite everything she tries, I cannot hit her spittoon. (1.3.6)
Two things: (1) Always pay attention when a man is impotent in this novel—it's important and it has to do with Shiva being the God of fertility; (2) Saleem is probably referencing the Kama Sutra when he is describing the ways that Padma tries to seduce him.
Quote #3
Then she spoke. She said she loved her husband and the other thing would come right in the end. He was a good man and when it was possible to have children he would surely find it possible to do the thing. She said a marriage should not depend on the thing, she had thought, so she had not liked to mention it, and her father was not right to tell everyone out loud like he had. She would have said more; but now Reverend Mother burst. (1.4.43)
Alarm! Another impotent man! Why is it that everyone else makes such a big deal about sex? Mumtaz doesn't seem to have any problem.
Quote #4
She came to feel a deep affection for the question marks of his ears; [...] but, try as she might (and as I'm giving her the benefit of my doubts I shall offer no possible reasons here), there was one part of him which she never managed to love, although it was the one thing he possessed, in full working order, which Nadir Khan had certainly lacked; on those nights when he heaved himself up on top of her-when the baby in her womb was no bigger than a frog-it was just no good at all. (1.6.37)
Alarm! A not impotent man! Ahmed is Shiva's biological dad, so of course he is totally fertile.
Quote #5
Such things happen; after the State froze my father's assets, my mother began to feel them growing colder and colder. On the first day, the Brass Monkey was conceived-just in time, because after that, although Amina lay every night with her husband to warm him, although she snuggled up tightly when she felt him shiver as the icy fingers of rage and powerlessness spread upwards from his loins, she could no longer bear to stretch out her hand and touch because his little cubes of ice had become too frigid to hold. (2.9.57)
The great freeze, which we're sure that you remember, was when all of the Sinai's assets were frozen. It's appropriate that Ahmed's testicles are also frozen, since it's his duty as a man to financially support the family.
Quote #6
And her hands are moving. Lost in their memory of other days, of what happened after games of hit-the-spittoon in an Agra cellar, they flutter gladly at her cheeks; they hold her bosom tighter than any brassieres; and now they caress her bare midriff, they stray below decks... yes, this is what we used to do, my love, it was enough, enough for me, even though my father made us, and you ran, and now the telephone, Nadirnadirnadirnadirnadirnadir... hands which held telephone now hold flesh, while in another place what does another hand do? To what, after replacing receiver, is another hand getting up? (2.11.38)
So yeah, nobody wants to burst in on their mom masturbating, but it happened. We just wanted to point out that this seems to be the only sexual scene where the woman is enjoying herself. And she's alone.
Quote #7
'Narlikar, I seem to have lost interest in you-know-what.' A gleam of pleasure radiated from the luminous gynaecologist; the birth-control fanatic in the dark, glowing doctor leaped out through his eyes and made the following speech: 'Bravo!' Dr Narlikar cried, 'Brother Sinai, damn good show! You - and, may I add, myself - yes, you and I, Sinai bhai, are persons of rare spiritual worth! Not for us the panting humiliations of the flesh [...] (2.12.37)
Let's all remember that Dr. Narlikar hated sex so much that he died trying to stop people from worshiping his tetrapod as a fertility idol.
Quote #8
Child of an unknown union, I have had more mothers than most mothers have children; giving birth to parents has been one of my stranger talents—a form of reverse fertility beyond the control of contraception, and even of the Widow herself. (2.17.20)
Why do you think that even though Saleem (and nearly every other man in his family) has problems with fertility, he has this sort of reverse fertility power?
Quote #9
Nothing for it now; I, quietly, shamefully, said: 'I can't marry anyone, Pictureji. I can't have children.' The silence in the shack was punctuated by sibilant snakes and the calls of wild dogs in the night. 'You're telling truth, captain? Is a medical fact?' 'Yes' 'Because one must not lie about such things, captain. To lie about one's manhood is bad, bad luck. (3.27.61)
If you've read the "Literature and Writing" component of this section, you'll know that speaking something is a good way to get cursed. And, sure enough, Saleem curses himself.
Quote #10
Test-and hysterectomized, the children of midnight were denied the possibility of reproducing themselves... but that was only a side-effect, because they were truly extraordinary doctors, and they drained us of more than that: hope, too, was excised, and I don't know how it was done[...]gone forever, the possibilities of flight and lycanthropy and the originally-one-thousand-and-one marvellous promises of a numinous midnight. (3.29.66)
Why does sterilizing the midnight's children also mean that they lose their powers and hope?
Quote #11
[...] I laughed because Shiva, destroyer of the midnight children, had also fulfilled the other role lurking in his name, the function of Shiva-lingam, of Shiva-the-procreator, so that at this very moment, in the boudoirs and hovels of the nation, a new generation of children, begotten by midnight's darkest child, was being raised towards the future. (3.29.77)
What does Shiva's legacy mean for the midnight's children? Why does Saleem think it's so funny?