How we cite our quotes: Citations follow this format: (Chapter.Part.Paragraph)
Quote #16
The Savage meanwhile wandered restlessly round the room, peering with a vague superficial inquisitiveness at the books in the shelves, at the sound-track rolls and reading machine bobbins in their numbered pigeon-holes. On the table under the window lay a massive volume bound in limp black leather-surrogate, and stamped with large golden T's. He picked it up and opened it. MY LIFE AND WORK, BY OUR FORD. The book had been published at Detroit by the Society for the Propagation of Fordian Knowledge. Idly he turned the pages, read a sentence here, a paragraph there, and had just come to the conclusion that the book didn't interest him, when the door opened, and the Resident World Controller for Western Europe walked briskly into the room. (16.5)
John isn't "interested" by this book because there is nothing of passion or poetry in it.
Quote #17
"Sometimes a thousand twangling instruments will hum about my ears and sometimes voices."
The Savage's face lit up with a sudden pleasure. "Have you read it too?" he asked. "I thought nobody knew about that book here, in England."
"Almost nobody. I'm one of the very few. It's prohibited, you see." (16.10-2)
This Shakespeare connection is a hint that these two men (Mustapha and John) have more in common than we might first suspect.
Quote #18
The Savage was silent for a little. "All the same," he insisted obstinately, "Othello's good, Othello's better than those feelies."
"Of course it is," the Controller agreed. "But that's the price we have to pay for stability. You've got to choose between happiness and what people used to call high art. We've sacrificed the high art." (16.28-9)
Does Mustapha's argument about happiness make sense here? It seems as though he's basing everything on the claim that "happiness" is only possible in a state of ignorance…