The Road Sections 31-40 Quotes
The Road Sections 31-40 Quotes
How we cite the quotes:
Citations follow this format: (Section.Paragraph)
They slipped out of their backpacks and left them on the terrace and kicked their way through the trash on the porch and pushed into the kitchen. The boy held on to his hand. All much as he'd remembered it. The rooms empty. In the small room off the diningroom there was a bare iron cot, a metal foldingtable. The same castiron coalgrate in the small fireplace. The pine paneling was gone from the walls leaving just the furring strips. He stood there. He felt with his thumb in the painted wood of the mantle the pinholes from tacks that had held stockings forty years ago. This is where we used to have Christmas when I was a boy. He turned and looked out at the waste of the yard. A tangle of dead lilac. The shape of a hedge. On cold winter nights when the electricity was out in a storm we would sit at the fire here, me and my sisters, doing our homework. The boy watched him. Watched shapes claiming him he could not see. We should go, Papa, he said. Yes, the man said. But he didnt. (39.1)
The Man often fears the pre-apocalyptic world will claim him. In fact, he distrusts comforting dreams set in the former world. This is sort of what's going on in this passage. The Man and The Boy visit The Man's childhood home and memories filter into The Man's consciousness. There's one problem, though: these sorts of happy memories prevent The Man from focusing on their survival. They make him want to give up. They also serve, we think, to alienate him from The Boy, since The Boy never experienced the former world. And perhaps The Boy is somehow dimly aware of this alienation when he "watched shapes claiming him [The Man] he could not see."
Quote 2
And the dreams so rich in color. How else would death call you? Waking in the cold dawn it all turned to ash instantly. Like certain ancient frescoes entombed for centuries suddenly exposed to the day. (32.1)
Good dreams remind The Man of an ancient fresco that, suddenly exposed to the air, fades and crumbles. The Man continually reminds himself that the vibrant world he knew is gone – that it's literally ash. What an odd reversal of color and symbol. Usually we think of death as gray and colorless and life as vibrant and colorful. This isn't the case in The Road, where The Man confronts an ash-filled reality and a vivid death.