Vanity Fair Full Text: Chapter 67 : Page 4
Neither Jos nor Emmy knew this important maxim. It seemed to them of no consequence whether Becky had a quantity of very fine clothes in invisible trunks; but as her present supply was exceedingly shabby, Emmy supplied her out of her own stores, or took her to the best milliner in the town and there fitted her out. It was no more torn collars now, I promise you, and faded silks trailing off at the shoulder. Becky changed her habits with her situation in life--the rouge-pot was suspended--another excitement to which she had accustomed herself was also put aside, or at least only indulged in in privacy, as when she was prevailed on by Jos of a summer evening, Emmy and the boy being absent on their walks, to take a little spirit-and-water. But if she did not indulge--the courier did: that rascal Kirsch could not be kept from the bottle, nor could he tell how much he took when he applied to it. He was sometimes surprised himself at the way in which Mr. Sedley's Cognac diminished. Well, well, this is a painful subject. Becky did not very likely indulge so much as she used before she entered a decorous family.
At last the much-bragged-about boxes arrived from Leipzig; three of them not by any means large or splendid; nor did Becky appear to take out any sort of dresses or ornaments from the boxes when they did arrive. But out of one, which contained a mass of her papers (it was that very box which Rawdon Crawley had ransacked in his furious hunt for Becky's concealed money), she took a picture with great glee, which she pinned up in her room, and to which she introduced Jos. It was the portrait of a gentleman in pencil, his face having the advantage of being painted up in pink. He was riding on an elephant away from some cocoa-nut trees and a pagoda: it was an Eastern scene.
"God bless my soul, it is my portrait," Jos cried out. It was he indeed, blooming in youth and beauty, in a nankeen jacket of the cut of 1804. It was the old picture that used to hang up in Russell Square.
"I bought it," said Becky in a voice trembling with emotion; "I went to see if I could be of any use to my kind friends. I have never parted with that picture--I never will."
"Won't you?" Jos cried with a look of unutterable rapture and satisfaction. "Did you really now value it for my sake?"
"You know I did, well enough," said Becky; "but why speak--why think--why look back! It is too late now!"
That evening's conversation was delicious for Jos. Emmy only came in to go to bed very tired and unwell. Jos and his fair guest had a charming tete-a-tete, and his sister could hear, as she lay awake in her adjoining chamber, Rebecca singing over to Jos the old songs of 1815. He did not sleep, for a wonder, that night, any more than Amelia.