ESTRAGON
(recoiling) Who farted?
VLADIMIR
Pozzo.
POZZO
Here! Here! Pity!
ESTRAGON
It's revolting!
VLADIMIR
Quick! Give me your hand!
ESTRAGON
I’m going. (Pause. Louder.) I'm going. (2.566-71)
Smell is clearly an issue for Estragon. This is the second time (earlier it was Vladimir’s breath) that he recoils from another for such a reason. As we mentioned in Quote #6, it would seem that Estragon is bothered by the visceral nature of another’s humanity. This time, however, the smell isn’t enough to drive him away; he repeats loudly that he’s going to leave, possibly in the hopes that someone will stop him.
ESTRAGON
(wild gestures, incoherent words. Finally.) Why will you never let me sleep?
VLADIMIR
I felt lonely.
ESTRAGON
I was dreaming I was happy.
VLADIMIR
That passed the time.
ESTRAGON
I was dreaming that—
VLADIMIR
(violently) Don't tell me! (Silence.) (2.774-9)
We’ve gotten this several times by this point in the play, but this one is arguably the clearest in its message. Vladimir wants Estragon awake because he’s lonely—he needs the entertainment. But he doesn’t want to invest anything personally by listening to Estragon’s dreams; this would make Estragon human, real, which Vladimir can’t seem to handle.
ESTRAGON
Charming spot. (He turns, advances to front, halts facing auditorium.) Inspiring prospects. (He turns to Vladimir.) Let's go.
VLADIMIR
We can't.
ESTRAGON
Why not?
VLADIMIR
We're waiting for Godot.
ESTRAGON
(despairingly) Ah! (1.91-5)
Vladimir and Estragon are confined by their waiting just as Lucky is confined by the rope around his neck. In this comparison, Godot is compared to Pozzo as the being that governs such confinement. But do the prisoners, Vladimir and Estragon, choose to be imprisoned?