Quote 81
It was a yellow fog, a filthy, evil-smelling fog, a fog that choked and blinded, smeared and stained. Groping their way blindly across roads, men and women took their lives in their hands… (2.3)
The fog that surrounds London sounds pretty gross. Is that even a natural phenomenon? (Nope—not if you don't consider humans a part of nature, that is.)
Quote 82
My head reeled at the sheer and startling beauty, the wide, bare openness of it. The sense of space, the vastness of the sky above and on either side made my heart race. (5.4)
Arthur's obviously a city boy if he's this affected by being outside in the wide open spaces. But to give him a little more credit, he's experiencing a pretty profound encounter with the Sublime.
Quote 83
this must be the Nine Lives Causeway—this and nothing more—and saw how, when the tide came in, it would quickly be quite submerged and untraceable. (5.5)
Nature isn't just beautiful. It can be a little frightening as well, when it's fixing to cover up your only road out to town.
Quote 84
Suddenly conscious of the cold and the extreme bleakness and eeriness of the spot and of the gathering dusk of the November afternoon… (5.23)
The landscape surrounding Eel Marsh House is particularly good at making people feel depressed. There's just something about November, isn't there?
Quote 85
And yet, there was a strange fascination in looking out over the wild wide marshes, for they had an uncanny beauty, even now, in the gray twilight. There was nothing whatsoever to see for mile after mile and yet I could not take my eyes away. (5.38)
Arthur is drawn to the beauty of the marshland around Eel Marsh House. Sadly, that soon gives way to sheer terror. We're guessing he doesn't visit too many marshes these days.
Quote 86
The first thing I noticed on the following morning was a change in the weather. As soon as I awoke, a little before seven, I felt that the air had a dampness in it and that it was rather cold… I could hardly see the division between land and water, water and sky… (9.30)
Can you picture this? It's like Arthur is trapped in some snow globe, with the land, water, and sky surrounding him in his creepy castle and no way to contact any other humans. Ugh. Gives us chills.
Quote 87
But when I awoke abruptly in the early hours it had increased greatly in force. The house felt like a ship at sea, battered by the gale that came roaring across the open marsh. (10.1)
The wind is declaring war on all man-made things, including the house and, natch, Arthur Kipps. Better hide. There's no winning out against Mother Nature.
Quote 88
Then I, too, began to feel the stickiness and the unsteadiness of the ground as it became boggier. (10.28)
The landscape starts to literally suck Arthur in, like it did to poor Nathaniel in the pony and trap. Better be careful, or he's going to get stuck—not like Nathaniel, but like Jennet, living the same horrible experience over and over.
Quote 89
I felt nothing other than curiosity, a professional interest… coupled with a mild sense of adventure. (2.6)
Young Arthur goes on a business trip, with no idea as to what he's going to encounter. He's in for adventure, that's sure, but the foreshadowing here doesn't give us any hints of what kind of terror he's in for.
Quote 90
In fact, I was not by any means unattracted to the idea of the expedition… (2.70)
The idea of traveling to a different part of the country and sorting through the affairs of a dead woman sounds a little romantic, no?
Quote 91
But I did not go inside. I did not want to, yet awhile. I wanted to drink in all the silence and the mysterious, shimmering beauty, to smell the strange, salt smell that was borne faintly on the wind, to listen for the slightest murmur. (5.16)
There's a certain kind of joy in exploring a new landscape, even if it turns out to be one infested with terrifying ghost people.
Quote 92
I was angry… for the emotion she had aroused in me… and the anger led at once to determination, to follow her and stop her, and then to ask some questions and receive proper replies, to get to the bottom of it all. (5.26)
Even though Arthur is initially scared of the woman in black, he quickly switches to "wanting answers" mode. Unfortunately, the villagers don't seem too eager to provide them.
Quote 93
But more than anything else, I needed an explanation. It is remarkable how powerful a force simple curiosity can be. (5.29)
Detective Arthur Kipps is going to get to the bottom of this ghostly business, even if it kills him. Or his loved ones.
Quote 94
For some obscure reason, I became angry with that door, I kicked at it and rattled the handle hard, before giving up… (6.17)
Even when he's scared, Arthur wants to explore every bit of the house and find out what's going on. We have to admire his bravery.
Quote 95
"If you mean you think I should give up on the job I've been sent here to do and turn tail and run…" (8.23)
After all that's happened, Arthur is still stubbornly determined to finish the job. We wonder if Stella and Joseph wish he hadn't.
Quote 96
I retrieved the bicycle… the dog ran cheerfully after me down the quiet, moonlit lane, toward the town. My spirits rose. In a strange way, I was looking forward to the morrow. (8.56)
Okay, so this isn't the "Madness" theme, but you know what's sheer craziness? Going straight into the belly of the beast (a.k.a. a haunted house) just to "solve a mystery."
Quote 97
So far I had found only one interesting-looking, slim packet of documents and letters, and I decided I would give myself the possible diversion of reading thing… (9.34)
No true mystery is complete without the appearance of previously overlooked and possibly important documents.
Quote 98
...I thought that if I had to go over them again, if only because I had been growing more and more determined to find out what restless soul it was who wanted to cause these disturbances and why, why. If I could uncover the truth, perhaps I might in some way put an end to it all forever. (11.39)
Sorry, Arthur. You're no Sherlock Holmes—that's another Brit altogether.