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Description:

Free indirect discourse? What a fascinating approach to fiction-writing!

Language:
English Language

Transcript

00:01

No there are a number of reasons jane austen was

00:04

on the cutting edge of literature She was a pioneer

00:07

in terms of writing about ordinary women struggles with money

00:10

and class and she really helped to find their struggles

00:13

to stay awake during some of the boring dances they

00:15

were subject to do Austin was also ahead of the

00:18

curve in her use of free indirect discourse I understand

00:23

that concept we need to think about narrators well in

00:26

early novels narrative we're usually characters in the novels who

00:29

happen to be telling the story sometimes by recording the

00:32

events of the story in letters as if being a

00:35

character in the story wasn't hard enough and no they

00:37

didn't get paid more for the extra work We call

00:40

these kinds of narrators homo dia jet iq and note

00:44

that dia jesus means world of the story and homo

00:47

means same in other words a narrator that exists in

00:50

the same world as the story Pretty nice when words

00:53

mean exactly what you want him to know What a

00:56

rare treat Well jane austen however doesn't use thes homo

00:59

dietetic narrators but rather hetero dietetic one's narrators who exist

01:05

In a different world than the ones where the story

01:07

takes place I'ii a free floating non character tells the

01:11

story so the characters in the story can just sit

01:14

back and chillax by using a hetero die jet iq

01:17

Narrator austin is also able to use free indirect discourse

01:21

which combines the narrator's voice with the character's voice Even

01:24

though the hetero dietetic narrator isn't tied to the reports

01:27

of anyone in particular it can slip into the thoughts

01:30

and perspectives of characters without even having to use quotation

01:33

marks or clunky indicators like she thought Or he said

01:36

or she whispered stealthily And we can probably all agree

01:40

that the best literature involved a little clunkiness as possible

01:43

right Well we can see the technique in action if

01:45

we take a look at this excerpt from pride and

01:47

prejudice Well it starts off with a bit of objective

01:50

description There isn't really any character being injected into this

01:54

bit of narration even ascension hat stand could've told us

01:57

that But at the end there's a slight shift We

02:00

no longer have a voiceless objective Narrator there's now opinion

02:04

creeping in to be specific the opinion of the towns

02:07

People Well as we could see free indirect discourse allows

02:10

austin to narrate without using a particular character as the

02:14

narrator while still managing to insert the opinions of characters

02:17

or even groups of characters without free indirect discourse she

02:20

might have used each individual towns person to give their

02:23

own personal account of mr bingley which would have threatened

02:26

to stretch private prejudice from a long novel to ah 00:02:29.4 --> [endTime] long

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